Abstract
The heretic is a commonly portrayed figure in both religious and non-religious works, and the particulars of their character are defined by the author’s religious context. This essay contrasts the heretic figures in the Talmud, Milton Steinberg’s As A Driven Leaf, and James Joyce’s Portrait of the Artist as a Young Man. These characters’ actions and beliefs reveal how broad the category of heresy is and how its definition is deeply relative to the culture from which it sprouts.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2022 Iggrot Ha'Ari