DE MARTELLY, E. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy’s “Golliwog’s Cakewalk”. Current Musicology, [S. l.], n. 90, 2010. DOI: 10.7916/cm.v0i90.5187. Disponível em: https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5187. Acesso em: 24 dec. 2024.