GREITZEN, M. L. Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe’s “Obsession” for Solo Violin. Current Musicology, [S. l.], n. 86, 2008. DOI: 10.7916/cm.v0i86.5142. Disponível em: https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5142. Acesso em: 29 mar. 2024.