Ó CADHLA, S. Horses For Discourses? The Transition from Oral to Broadside Narrative in “Skewball”. Current Musicology, [S. l.], n. 94, 2012. DOI: 10.7916/cm.v0i94.5235. Disponível em: https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5235. Acesso em: 3 may. 2024.