1.
Greitzen ML. Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe’s “Obsession” for Solo Violin. CM [Internet]. 2008 Sep. 15 [cited 2024 Nov. 21];(86). Available from: https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5142