Abstract
This Article examines the complex and unsettled state of the true threats doctrine through the lens of the equally complicated, controversial and multi- faceted musical genre of rap. Rap, although generally protected by the First Amendment, is frequently caught in the crosshairs of criminal prosecutions focusing on whether or not it constitutes a true threat of violence. Ultimately, this Article offers suggestions for how to clarify the doctrinal issues, with rap illustrating and supporting those ideas.