TY - JOUR AU - Wright, Doug PY - 2015/10/19 Y2 - 2024/03/29 TI - Playwrights and Copyright JF - The Columbia Journal of Law & the Arts JA - JLA VL - 38 IS - 3 SE - Articles DO - 10.7916/jla.v38i3.2110 UR - https://journals.library.columbia.edu/index.php/lawandarts/article/view/2110 SP - 301-307 AB - <p>Broadway, 1926.</p><p>The Rialto is alive with drama.</p><p>At the Mansfield Theater, a revival of the Pulitzer Prize-winning play Beyond the Horizon is enjoying a healthy run. At the Imperial, George Gershwin’s Prohibition romp Oh, Kay is a bona fide sell-out. At the Mayfair, an unexpected guest upstages the opening night of a searing marital tragedy entitled The Half- Naked Truth. In the words of critic Brooks Atkinson:</p><p>Toward the end of the second act. . .a gray cat walked amiably across the stage, peeped curiously over the footlights, and then sat down comfortably, yawned a little, blinked sleepily and apparently settled for the night. . .</p><p>. . .What drama could vie with the reality of a cat? Or what actor could put a cat to shame?. . .</p><p>. . .Unfortunately. . .the play. . .was amateurish in every [other] respect.</p><p>The Half-Naked Truth closed within a month; the fate of the cat remains unknown.</p><p>But the dramas playing out on Broadway that fateful year aren’t all happening onstage; in a nearby office building behind closed doors, a cluster of playwrights- Eugene O’Neill and humorist George Kaufman among them-are meeting with a group of theatrical producers.</p><p>The writers have recently established a Guild, just fourteen years old, to fight for equitable practices in their profession. Somewhat reluctantly, the producers have agreed to meet with them. On one point, the Guild is intractable: the right of its members to control their copyrights and prevent unauthorized changes in their scripts.</p> ER -