Debts and Transfigurations

Bernard Stambler

doi:10.7916/cm.v0i5.3692

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No. 5 (1967): Current Musicology
Current Musicology

Debts and Transfigurations

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Published Nov 6, 2019

DOI https://doi.org/10.7916/cm.v0i5.3692

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Bernard Stambler

Abstract

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Article Details

Issue

No. 5 (1967): Current Musicology

Section

Current Musicology

How to Cite

Stambler, B. (2019). Debts and Transfigurations. Current Musicology, (5), 107–112. https://doi.org/10.7916/cm.v0i5.3692

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About the Journal

Current Musicology is a leading peer-reviewed journal for scholarly research in music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University's Department of Music. Current Musicology was the first journal in music to be edited and published by graduate students, which continues today after sixty years.

The journal is open access and published in digital form only since Issue 105.

Frequency: Semiannual

eISSN: 0011-3735

Co-Editors-in-Chief: Sasha Doster and Marco Donato Tomassi

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ISSN: 0011-3735

Homepage image: Bain News Service, photographer. G.G. Barnard’s “Great God Pan” statue, Columbia College (close-up). George Grantham Bain Collection, Library of Congress Prints & Photographs Division. Glass negative, 8 × 10 in. No date recorded. LC-DIG-ggbain-01493. https://www.loc.gov/pictures/collection/ggbain/item/2014681488/