Feeling Pain/Making Kin in the Brooklyn Noise Music Scene

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Published Jul 22, 2020
DOI https://doi.org/10.7916/cm.v106iSpring.6757

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David Farrow

Abstract

In the Brooklyn Do-It-Yourself noise music scene, the distinction between subculture and family blurs. Drawing from ethnographic research at Brooklyn Do-It-Yourself venues conducted between February 2018-December 2019, this article explores the formation of queer kinship as material and emotional support for queer life within this scene. Pain in mosh pits, grief over the death of a musician, and love for each other organize obligations, dependencies, and concern amongst strangers. At the same time, real estate developers exploit DIY artistic labor to facilitate gentrification. Queer kinship networks within DIY communities must stand in solidarity with their neighbors, but DIY venues and scenes must first end their complicity in gentrification. 

Author Biography

David Farrow

David Farrow is a PhD student in Ethnomusicology at Columbia University. He holds a BA in Cultural Studies and Public Policy from the University of North Carolina at Chapel Hill and a MA in Media, Communication, and Culture from New York University. David draws from participation in do-it-yourself experimental electronic music scenes to explore labor, community formation, and gentrification. His current research develops critical theories of urban policy and policing in relation to autonomous organizing in punk and experimental music scenes. Previously, he has taught at the North Carolina Governor’s School and written for Tiny Mix Tapes.

Article Details

Issue
Vol. 106 (2020): Special Issue: Queering and Quaring Musicology
Section
Articles 106
How to Cite
Farrow, D. (2020). Feeling Pain/Making Kin in the Brooklyn Noise Music Scene. Current Musicology, 106. https://doi.org/10.7916/cm.v106iSpring.6757