“Form” can be understood as the literal contours of music and sound, such as song structure, genre, the analog, the digital, etc. What does it look, feel, or sound like beyond preconceived bounds and norms? At the same time, “form” can be used figuratively to encompass projects which experiment with the discipline of music itself, possibly in considering its intersection with other practices and studies in or beyond academia.
Editor-in-Chief
Paola Cossermelli Messina
Editorial Board
Amanda Morrill
Cristina Gonzalez Rojo
Gareth Cordery
Herman Hudde
Jessica Perez-Gutierrez
Lauren Shepard
Noah Rosen
Rajnesh Chakrapani
Current Musicology is on hiatus currently not accepting new submissions.
If you are a Columbia University affiliate who is interested in restarting this journal, please contact the Columbia University Libraries at publishing@library.columbia.edu to begin the conversation. You can learn more about our program here.
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