Redmond, Shana. 2020. Everything Man: The Form and Function of Paul Robeson. Durham, NC: Duke University Press

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Published Jan 27, 2021
DOI https://doi.org/10.52214/cm.v107i.7187

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Aldwyn Hogg Jr.
University of North Carolina at Chapel Hill

Abstract

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Author Biography

Aldwyn Hogg Jr., University of North Carolina at Chapel Hill

Aldwyn Hogg Jr. is a Bahamian PhD candidate in musicology at the University of North Carolina, Chapel Hill. His dissertation project theorizes and listens to Black sonic technopoetics--the sounds and musics produced by Black Americans about technology--to investigate the co-constitutive relationship between race and technology during the twentieth century in the United States. The technologies he studies include: the industrial washing machine, the early automobile, nuclear weaponry, and spaceflight technologies (specifically, Apollo 11). Some of his other interests include queer clubs, contemporary hip hop, and early Soviet symphonies.

Article Details

Issue
Vol. 107 (2020): Current Musicology, Fall 2020
Section
Book Reviews
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite
Hogg, A. (2021). Redmond, Shana. 2020. Everything Man: The Form and Function of Paul Robeson. Durham, NC: Duke University Press. Current Musicology, 107, 219–225. https://doi.org/10.52214/cm.v107i.7187