Current Musicology

No. 86 (2008)

Published: Sep 15, 2008

Articles

Eisler’s Notes on Hollywood and the Film Music Project, 1935-42
Sep 15, 2008

Sally M. A. Bick
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Beyond Sonata Deformation: Liszt’s Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
Sep 15, 2008

Steven Vande Moortele
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Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe’s “Obsession” for Solo Violin
Sep 15, 2008

Mary Lee Greitzen
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Producing Producers: Women and Electronic/Dance Music
Sep 15, 2008

Rebekah Farrugia, Thom Swiss
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Book Reviews

Review of Amy C. Beal. 2006. New Music, New Allies: American Experimental Music in West German from the Zero Hour of Reunification. Berkeley and Los Angeles: University of California Press.
Sep 15, 2008

Laura Silverberg
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Review of Fosler-Lussier. 2007. Music Divided: Bartók’s Legacy in Cold War Culture. Berkeley and Los Angeles: University of California Press
Sep 15, 2008

Joshua S. Walden
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Review of George Lipsitz. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. Minneapolis: University of Minnesota Press
Sep 15, 2008

Mark Burford
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Review of Peter Szendy. 2008. Listen: A History of Our Ears. Translated by Charlotte Mandell. New York: Fordham University Press
Sep 15, 2008

Brian Kane
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Review of Jean-Luc Nancy. 2007. Listening. Translated by Charlotte Mandell. New York: Fordham University Press
Sep 15, 2008

Michael Gallope
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Review of Susan Boynton and Roe-Min Kok, eds. 2006. Musical Childhoods and the Cultures of Youth. Music/Culture. Middletown, CT: Wesleyan University Press
Sep 15, 2008

Tyler Bickford
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