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  3. No. 97 (2014): Current Musicology

Current Musicology

No. 97 (2014)

Published: Apr 1, 2014

Full Issue

PDF

Articles

Editor’s Note
Apr 1, 2014

Thomas Fogg
PDF

The Historical Soundscape of Monophonic Hi-Fidelity
Apr 1, 2014

Murray Dineen
PDF

Voice and Instrument at the Origins of Music
Apr 1, 2014

Jonathan De Souza
PDF

The Lost Movements of Ernst Toch’s Gesprochene Musik
Apr 1, 2014

Carmel Raz
PDF

Preface to Gesprochene Musik, 1. “O-a” and 2. “Ta-tam”
Apr 1, 2014

Christopher Caines
PDF

Gesprochene Musik, 1
Apr 1, 2014

Ernst Toch
PDF

The Musical Work Reconsidered, In Hindsight
Apr 1, 2014

Gavin Steingo
PDF

Images of Time and Timelessness: A Musical Reading of Death in Venice
Apr 1, 2014

Marlies De Munck
PDF

Book Reviews

Review of Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press.
Apr 1, 2014

Paula Harper
PDF

Review of David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.
Apr 1, 2014

Andrés García Molina
PDF

Review of Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.
Apr 1, 2014

Ralph Whyte
PDF

Review of Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press.
Apr 1, 2014

Anne Levitsky
PDF

About the Journal

Current Musicology is a leading peer-reviewed journal for scholarly research in music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University's Department of Music. Current Musicology was the first journal in music to be edited and published by graduate students, which continues today after sixty years.

The journal is open access and published in digital form only since Issue 105.

Frequency: Semiannual

eISSN: 0011-3735

Co-Editors-in-Chief: Sasha Doster and Marco Donato Tomassi

Columbia University Libraries

Published in partnership with Columbia University Libraries.

535 West 114th St. New York, NY 10027

Distributed through Columbia University’s Academic Commons.

All content published from 2018 onward is subject to a Creative Commons "Attribution-NonCommercial-NoDerivates" 4.0 License.

ISSN: 0011-3735

Homepage image: Bain News Service, photographer. G.G. Barnard’s “Great God Pan” statue, Columbia College (close-up). George Grantham Bain Collection, Library of Congress Prints & Photographs Division. Glass negative, 8 × 10 in. No date recorded. LC-DIG-ggbain-01493. https://www.loc.gov/pictures/collection/ggbain/item/2014681488/

Public Knowledge Project