Current Musicology

No. 102 (2018)

Published: Apr 1, 2018

Articles

Editor’s Note: Sounding the Break: Music Studies and the Political
Apr 1, 2018

Tom Wetmore
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The Musicological Elite
Apr 1, 2018

Tamara Levitz
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Power and Equity in the Academy: Change from Within
Apr 1, 2018

Ellie M. Hisama
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Academic Labor and Music Curricula
Apr 1, 2018

Lucie Vágnerová, Andrés García Molina
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Black Noise, White Ears: Resilience, Rap, and the Killing of Jordan Davis
Apr 1, 2018

William Cheng
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In Praise of Eclecticism: Relational Thinking and Theoretical Assemblage
Apr 1, 2018

Ingrid Monson
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Introduction: I am Nothing
Apr 1, 2018

Licia Fiol-Matta
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Nothing/Nada
Apr 1, 2018

Jack Halberstam
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Licia’s Lectures on Nothing
Apr 1, 2018

Fred Moten
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Awakening the Sensorium in Puerto Rico’s Colonial Modernity
Apr 1, 2018

Arnaldo M. Cruz-Malavé
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The Wonder of Delays
Apr 1, 2018

Alexandra T. Vazquez
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Seeing and Hearing the Thinking Voice
Apr 1, 2018

Gayatri Gopinath
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Archival Nothing
Apr 1, 2018

Licia Fiol-Matta
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Book Reviews

Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Chicago: University of Chicago Press
Apr 1, 2018

Emily Hansell Clark
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David Brackett. 2016. Categorizing Sound: Genre and Twentieth-Century Popular Music. Berkeley: University of California Press
Apr 1, 2018

Thomas Johnson
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Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance. New York: Routledge
Apr 1, 2018

Jane Forner
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Chávez, Alex E. 2017. Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham, NC: Duke University Press
Apr 1, 2018

Nandini Rupa Banerjee-Datta
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