No. 102 (2018): Current Musicology

No. 102 (2018)

Published April 1, 2018
Current Musicology

Articles

Tom Wetmore
Editor’s Note: Sounding the Break: Music Studies and the Political
April 1, 2018
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Tamara Levitz
The Musicological Elite
April 1, 2018
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Ellie M. Hisama
Power and Equity in the Academy: Change from Within
April 1, 2018
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Lucie Vágnerová, Andrés García Molina
Academic Labor and Music Curricula
April 1, 2018
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William Cheng
Black Noise, White Ears: Resilience, Rap, and the Killing of Jordan Davis
April 1, 2018
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Ingrid Monson
In Praise of Eclecticism: Relational Thinking and Theoretical Assemblage
April 1, 2018
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Licia Fiol-Matta
Introduction: I am Nothing
April 1, 2018
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Jack Halberstam
Nothing/Nada
April 1, 2018
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Fred Moten
Licia’s Lectures on Nothing
April 1, 2018
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Arnaldo M. Cruz-Malavé
Awakening the Sensorium in Puerto Rico’s Colonial Modernity
April 1, 2018
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Alexandra T. Vazquez
The Wonder of Delays
April 1, 2018
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Gayatri Gopinath
Seeing and Hearing the Thinking Voice
April 1, 2018
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Licia Fiol-Matta
Archival Nothing
April 1, 2018
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Book Reviews

Emily Hansell Clark
Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Chicago: University of Chicago Press
April 1, 2018
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Thomas Johnson
David Brackett. 2016. Categorizing Sound: Genre and Twentieth-Century Popular Music. Berkeley: University of California Press
April 1, 2018
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Jane Forner
Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance. New York: Routledge
April 1, 2018
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Nandini Rupa Banerjee-Datta
Chávez, Alex E. 2017. Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham, NC: Duke University Press
April 1, 2018
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