“Form” can be understood as the literal contours of music and sound, such as song structure, genre, the analog, the digital, etc. What does it look, feel, or sound like beyond preconceived bounds and norms? At the same time, “form” can be used figuratively to encompass projects which experiment with the discipline of music itself, possibly in considering its intersection with other practices and studies in or beyond academia.
Paola Cossermelli Messina
Cristina Gonzalez Rojo