Fischlin, Daniel and Eric Porter (eds). 2020. Playing for Keeps: Improvisation in the Aftermath. Durham: Duke University Press.

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Published Jan 27, 2021
DOI https://doi.org/10.52214/cm.v107i.6886

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Mike Ford
Columbia University

Abstract

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Author Biography

Mike Ford, Columbia University

Mike Ford is a PhD candidate in Historical Musicology at Columbia University. His research focuses on improvisation in non-musical settings such as corporate management and agile startups. By transposing understandings of musical improvisation from musicology and critical improvisation studies, his research provides insights into the day-to-day decisions, activities, and thinking of business leaders and founders.

Mike has presented his research at regional, national, and international conferences and his work has been published on four continents. Prior to Columbia, Mike completed an MA in Musicology at Rutgers University and a BMus in Orchestral Conducting at the University of Pretoria. 

Article Details

Issue
Vol. 107 (2020): Current Musicology, Fall 2020
Section
Book Reviews
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite
Ford, M. (2021). Fischlin, Daniel and Eric Porter (eds). 2020. Playing for Keeps: Improvisation in the Aftermath. Durham: Duke University Press . Current Musicology, 107, 210–218. https://doi.org/10.52214/cm.v107i.6886