Mentoring, Institutional Barriers, Structures of Justice: A Dialogue Across Positions of Privilege and Power

Main Article Content

Andrew Dell'Antonio
Matthew Ovalle

Abstract

This colloquy, by graduate-student-led collective Project Spectrum, attempts to map out existing discussions around inclusion and equity in music academia, with a specific focus on identifying and analyzing the structures in academia that work against minoritized and historically excluded scholars. 


Matthew Ovalle and Andrew Dell’Antonio contribute a joint-paper outlining the alternative pathways that give people the chance to make their own way through the music academia pipeline. Using personal anecdotes from their positions as teachers, mentors, and the mentored, they offer a representation of academia as one of care, empathy, and optimism. 

Author Biography

Matthew Ovalle, University of Texas, Austin

Matthew Ovalle is a PhD Candidate in Musicology at The University of Texas at Austin whose research interests include medieval performance practice, early notation, the Cantigas de Santa Maria, semiotics, ludomusicology, queerness, issues of marginalization, disability studies, and music video studies post 1981. His forthcoming dissertation, 'The Politics of Healing' will examine depictions of disability, illness, and healing present in the miracle stories of the Cantigas de Santa Maria through the lens of disability studies to discuss their political and social implications. Through the lens of queer studies, Matthew has also examined and analyzed music videos and their depictions of a multitude of topics such as sexuality, fluidity, queerness, race, and identity in music videos by Mitski, St. Vincent, and Betty Who. He has presented papers at the International Congress on Medieval Studies, Music and the Moving Image, and the Feminist Theory and Music conference.

Article Details

Section
Project Spectrum Colloquy: Strengthening the Pipeline
How to Cite
Dell’Antonio, A., & Ovalle, M. (2021). Mentoring, Institutional Barriers, Structures of Justice: A Dialogue Across Positions of Privilege and Power. Current Musicology, 107, 148–152. https://doi.org/10.52214/cm.v107i.7842