No. 70 (2000): Current Musicology

No. 70 (2000)

Published September 1, 2000
Current Musicology

Articles

Judit Frigyesi
In Search of Meaning in Context: Bartok’s Duke Bluebeard’s Castle
February 21, 2000
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Melvin L. Butler
Musical Style and Experience in a Brooklyn Pentecostal Church: An “Insider’s” Perspective
February 21, 2000
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John Gingerich
“To how many shameful deeds must you lend your image”: Schubert’s Pattern of Telescoping and Excision in the Texts of His Latin Masses
February 21, 2000
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Hans Tischler
Newly-Discovered Addenda to the Trouvère Repertoire
February 21, 2000
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Book Reviews

Ethan Haimo
Review of Bryan R. Simms. 2000. The Atonal Music of Arnold Schoenberg, 1908-1923. New York: Oxford University Press
February 21, 2000
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Barbara Russano Hanning
Review of Thomas F. Heck. 1999. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester: University of Rochester Press
February 21, 2000
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Timothy D. Taylor
Review of Derek B. Scott, ed. 2000. Music, Culture, and Society: A Reader. New York: Oxford University Press
February 21, 2000
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Stephen Walsh
Review of Jonathan Cross. 2000. Harrison Birtwistle: Man, Mind, Music. Ithaca: Cornell University Press; and Robert Adlington. 2000. The Music of Harrison Birtwistle. Cambridge: Cambridge University Press
February 21, 2000
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John Ito
Review of Eric Chafe. 2000. Analyzing Bach Cantatas. New York: Oxford University Press
February 21, 2000
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Ron Emoff
Review of Thomas Turino. 2000. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago: University of Chicago Press
February 21, 2000
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David Schiff
Review of Wayne Schneider, ed. 1999. The Gershwin Style: New Looks at the Music of George Gershwin. New York: Oxford University Press
February 21, 2000
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Katherine McQuiston
Review of James Buhler, Caryl Flinn, and David Neumeyer, eds. 2000. Music and Cinema. Middletown: Wesleyan University Press
February 21, 2000
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Aaron A. Fox
Review of Georgina Born and David Hesmondhalgh, eds. 2000. Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press
February 21, 2000
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Elliott S. Hurwitt
Review of Carol Oja. 2000. Making Music Modern: New York in the 1920s. New York: Oxford University Press
February 21, 2000
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Columbia Report

Jack Beeson
Opera at Columbia University, 1941-1958
February 21, 2000
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