Current Musicology

No. 75 (2003)

Published: Mar 1, 2003

Articles

Editor's Preface
Mar 1, 2003

Glenn Stanley
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Preface
Mar 1, 2003

Ernest H. Sanders
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Concerning the Ontological Status of the Notated Musical Work in the Fifteenth and Sixteenth Centuries
Mar 1, 2003

Leeman L. Perkins
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"Are My Ears On Wrong?": Hearing Polyphony, ca.1375-ca. 1450
Mar 1, 2003

Ernest H. Sanders
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Five Saliences in Marco da Gagliano's Earliest Madrigals
Mar 1, 2003

Edmond Strainchamps
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Recombinant Melody: Ten Things to Love About Willaert's Music
Mar 1, 2003

Peter Schubert
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Musical Articulation: A Synoptic View of Baroque Form
Mar 1, 2003

Edward Lippman
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Writing Under the Influence? Salieri and Schubert’s Early Opinion of Beethoven
Mar 1, 2003

Christopher H. Gibbs
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The Concept of Ausweichungin Music Theory, ca. 1770-1832
Mar 1, 2003

Janna K. Saslaw
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A Suggestive Detail in Weber's Freischutz
Mar 1, 2003

Richard Taruskin
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“Paths of Harmony” in the First Movement of Brahms’s Cello Sonata in E minor, Op. 38
Mar 1, 2003

David W. Bernstein
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Musical Platonism in Modern Culture
Mar 1, 2003

Edmund J. Goehring
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Book Reviews

Meintjes, Louise. 2003. Sound of Africa! Making Music Zulu in a South African Studio. Durham and London: Duke University Press, 335 pp.
Mar 1, 2003

Brett Pyper
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Review of Kelly Askew. 2002. Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago and London: University of Chicago Press
Mar 1, 2003

Andrew Eisenberg
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Notes on a Postcolonial Musicology: Kofi Agawu and the Critique of Cultural Difference [Agawu, Kofi. 2003. Representing African Music: Postcolonial Notes, Queries, Positions. New York and London: Routledge, 304 pp.]
Mar 1, 2003

Martin Scherzinger
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