Current Musicology

No. 77 (2004)

Published: Apr 6, 2004

Articles

Beyond the Beethoven Model: Sentence Types and Limits
Apr 6, 2004

Matthew Bailey Shea
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Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation
Apr 6, 2004

Adolphe Appia; Cathy Cox
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A View From Death: Ariadne auf Naxos as Failed Totality
Apr 6, 2004

Chadwick Jenkins
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Interpreting Discontinuity in the Late Works of Debussy
Apr 6, 2004

Marianne Wheeldon
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Book Reviews

Review of Matthew Riley. 2004. Musical Listening in the German Enlightenment: Attention, Wonder and Astonishment. Aldershot, UK and Burlington, VT: Ashgate Publishing
Apr 6, 2004

Matthew Head
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Rumph, Stephen. 2004. Beethoven After Napoleon: Political Romanticism in the Late Works. Berkeley and Los Angeles: University of California Press.
Apr 6, 2004

Nicholas Mathew
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Review of John Spitzer and Neal Zaslaw. 2004. The Birth of the Orchestra: History of an Institution, 1650-1815. New York and Oxford: Oxford University Press
Apr 6, 2004

John A. Rice
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Review of Daniel Leech-Wilkinson. 2002. The Modern Invention of Medieval Music: Scholarship, Ideology, Performance. Cambridge: Cambridge University Press
Apr 6, 2004

Thomas Irvine
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Review of Daniel Fischlin and Ajay Heblin, eds. 2004. The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. Middletown, CT: Wesleyan University Press; and Robert O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffith, eds. 2004.
Apr 6, 2004

Niko Higgins
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