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  3. No. 82 (2006): Current Musicology

Current Musicology

No. 82 (2006)

Published: Sep 10, 2006

Articles

The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
Sep 10, 2006

Augustus Arnone
PDF

Disruptive Spatiality and the Experience of Recordings of Bach’s Solo Cello Suites
Sep 10, 2006

Naomi Waltham-Smith
PDF

Corpo-Realities: Keepin’ It Real in “Music and Embodiment” Scholarship
Sep 10, 2006

Tracy McMullen
PDF

The Cyberpolitics of Music in Ukraine’s 2004 Orange Revolution
Sep 10, 2006

Adriana Helbig
PDF

Book Reviews

Review of Peraino, Judith. 2006. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley and Los Angeles: University of California Press
Sep 10, 2006

Ivan Raykoff
PDF

Review of Tia DeNora. 2003. After Adorno: Rethinking Music Sociology. Cambridge and New York: Cambridge University Press
Sep 10, 2006

William G. Roy
PDF

Review of Kelley Harness. 2006. Echoes of Women’s Voices: Music, Art, and Female Patronage in Early Modern Florence. Chicago and London: University of Chicago Press
Sep 10, 2006

Melanie L. Marshall
PDF

Review of Pisani, Michael V. 2005. Imagining Native America in Music. New Haven, CT, and London: Yale University Press
Sep 10, 2006

Klisala Harrison
PDF

About the Journal

Current Musicology is a leading peer-reviewed journal for scholarly research in music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University's Department of Music. Current Musicology was the first journal in music to be edited and published by graduate students, which continues today after sixty years.

The journal is open access and published in digital form only since Issue 105.

Frequency: Semiannual

eISSN: 0011-3735

Co-Editors-in-Chief: Sasha Doster and Marco Donato Tomassi

Columbia University Libraries

Published in partnership with Columbia University Libraries.

535 West 114th St. New York, NY 10027

Distributed through Columbia University’s Academic Commons.

All content published from 2018 onward is subject to a Creative Commons "Attribution-NonCommercial-NoDerivates" 4.0 License.

ISSN: 0011-3735

Homepage image: Bain News Service, photographer. G.G. Barnard’s “Great God Pan” statue, Columbia College (close-up). George Grantham Bain Collection, Library of Congress Prints & Photographs Division. Glass negative, 8 × 10 in. No date recorded. LC-DIG-ggbain-01493. https://www.loc.gov/pictures/collection/ggbain/item/2014681488/

Public Knowledge Project