No. 91 (2011): Current Musicology

No. 91 (2011)

Published March 22, 2011
Current Musicology

Articles

Lauren Ninoshvili
The 1990s “Kutaisi Wave”: Music and Youth Movement in a Postindustrial Periphery
March 22, 2011
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Adriana Helbig
“On stage, everyone loves a Black”: Afro-Ukrainian Folk Fusion, Migration, and Racial Identity in Ukraine
March 22, 2011
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Michal Nanoru
Here Be Dogs: Documenting the Visual Culture of the Czech Indie Scene
March 22, 2011
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Ian MacMillen
From the Center in the Middle: Working Tambura Bands and the Construction of the In Between in Croatia and its Intimates
March 22, 2011
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Book Reviews

Kate Ellen Heidemann
Pamela Fox. Natural Acts: Gender, Race, and Rusticity in Country Music
March 22, 2011
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Sayo Yamagata
Laurie Stas, ed. She’s So Fine: Reflections on Whitness, Femininity, Adolescence, and Class in 1960s Music
March 22, 2011
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Juliet Eleanor Forshaw
Review Essay: “Metal in Three Modes of Enmity: Political, Musical, Cosmic.”: Gerd Bayer, ed. Heavy Metal in Britain; Steve Waksman. This Ain’t the Summer of Love: Conflict and Crossover in Heavy Metal and Punk; Nicola Masciandaro, ed. Hideous Gnosis: Black Metal Theory Symposium 1
March 22, 2011
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Simón Calle
Deborah Pacini-Hernandez. Oye Como Va! Hybridity and Identity in Latino Popular Music
March 22, 2011
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Whitney Slaten
Review Essay: “Representing Recording Studios of the Past.”: Andy Bradley and Roger Wood. House of Hits: The Story of Houston’s Gold Star/Sugarhill Recording Studios; John Hartley Fox. King of the Queen City: The Story of King Records; Roben Jones. Memphis Boys: The Story of American Studios
March 22, 2011
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David Gutkin
David Janssen and Edward Whitelock. Apocalypse Jukebox: The End of the the World in American Popular Music
March 22, 2011
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Heather Pinson
Bethany Klein. As Heard on TV: Popular Music in Advertising
March 22, 2011
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Bradley Sroka
Chris McDonald. Rush, Music, and Middleclass: Dreaming in Middletown
March 22, 2011
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