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No. 92 (2011): Current Musicology
Current Musicology
No. 92 (2011)
Published:
Sep 22, 2011
Articles
Music for the Last Supper: The Dramatic Significance of Mozart’s Musical Quotations in the Tafelmusik of Don Giovanni
Sep 22, 2011
Nicholas Junkai Chong
PDF
A Great Desire: Autobiography in Louise Talma’s Three Madrigals
Sep 22, 2011
Kendra Preston Leonard
PDF
Do as Some Said, or as Most Did?-A Foucauldian Experiment with Nineteenth-Century HIP
Sep 22, 2011
George Kennaway
PDF
Book Reviews
Review of Benjamin Piekut. 2011. Experimentalism Otherwise: The New York Avant-Garde and Its Limits. Berkeley, Los Angeles, and London: University of California Press
Sep 22, 2011
Thomas Fogg
PDF
Review of Janet Schmalfeldt. 2011. In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music. New York: Oxford University Press
Sep 22, 2011
Benjamin Konrad Hansberry
PDF
Review of Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press
Sep 22, 2011
Elliott S. Cairns
PDF
Review of Randall Sandke. 2010. Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz. Lanham, Maryland: The Scarecrow Press
Sep 22, 2011
Mark C. Gridley
PDF
Review of Randall Sandke. 2010. Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz. Lanham, Maryland: The Scarecrow Press
Sep 22, 2011
Aaron Joseph Johnson
PDF
Review of Jennifer Milioto Matsue. 2009. Making Music in Japan’s Underground: The Tokyo Hardcore Scene. New York and London: Routledge
Sep 22, 2011
Kristen Sollee
PDF
Review of Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press
Sep 22, 2011
Ji Young Kim
PDF