Current Musicology

No. 92 (2011)

Published: Sep 22, 2011

Articles

Music for the Last Supper: The Dramatic Significance of Mozart’s Musical Quotations in the Tafelmusik of Don Giovanni
Sep 22, 2011

Nicholas Junkai Chong
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A Great Desire: Autobiography in Louise Talma’s Three Madrigals
Sep 22, 2011

Kendra Preston Leonard
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Do as Some Said, or as Most Did?-A Foucauldian Experiment with Nineteenth-Century HIP
Sep 22, 2011

George Kennaway
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Book Reviews

Review of Benjamin Piekut. 2011. Experimentalism Otherwise: The New York Avant-Garde and Its Limits. Berkeley, Los Angeles, and London: University of California Press
Sep 22, 2011

Thomas Fogg
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Review of Janet Schmalfeldt. 2011. In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music. New York: Oxford University Press
Sep 22, 2011

Benjamin Konrad Hansberry
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Review of Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press
Sep 22, 2011

Elliott S. Cairns
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Review of Randall Sandke. 2010. Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz. Lanham, Maryland: The Scarecrow Press
Sep 22, 2011

Mark C. Gridley
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Review of Randall Sandke. 2010. Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz. Lanham, Maryland: The Scarecrow Press
Sep 22, 2011

Aaron Joseph Johnson
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Review of Jennifer Milioto Matsue. 2009. Making Music in Japan’s Underground: The Tokyo Hardcore Scene. New York and London: Routledge
Sep 22, 2011

Kristen Sollee
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Review of Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press
Sep 22, 2011

Ji Young Kim
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