Current Musicology

No. 96 (2013)

Published: Sep 1, 2013

Articles

Editor’s Note
Sep 1, 2013

Thomas Fogg
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A Psychological Approach to Musical Form: The Habituation–Fluency Theory of Repetition
Sep 1, 2013

David Huron
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Experiencing Alba Tressina’s Anima mea liquefacta est through Bodily Humors and the Sacred Erotic
Sep 1, 2013

Lindsay Johnson
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Judging Performance, Performing Judgments: Race and Performance in Weimar Germany
Sep 1, 2013

Brendan Fay
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“A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing
Sep 1, 2013

David Thurmaier
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Book Reviews

Review of Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction. New York: Cambridge University Press
Sep 1, 2013

Nina Penner
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Review of Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton; and Laurence Dreyfus. 2010. Wagner and the Erotic Impulse.
Sep 1, 2013

Jeremy Coleman
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Review of Charles M. Joseph. 2011. Stravinsky’s Ballets. New Haven: Yale University Press.
Sep 1, 2013

Maeve Sterbenz
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