No. 96 (2013): Current Musicology

No. 96 (2013)

Published September 1, 2013
Current Musicology

Articles

Thomas Fogg
Editor’s Note
September 1, 2013
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David Huron
A Psychological Approach to Musical Form: The Habituation–Fluency Theory of Repetition
September 1, 2013
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Lindsay Johnson
Experiencing Alba Tressina’s Anima mea liquefacta est through Bodily Humors and the Sacred Erotic
September 1, 2013
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Brendan Fay
Judging Performance, Performing Judgments: Race and Performance in Weimar Germany
September 1, 2013
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David Thurmaier
“A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing
September 1, 2013
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Book Reviews

Nina Penner
Review of Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction. New York: Cambridge University Press
September 1, 2013
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Jeremy Coleman
Review of Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton; and Laurence Dreyfus. 2010. Wagner and the Erotic Impulse.
September 1, 2013
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Maeve Sterbenz
Review of Charles M. Joseph. 2011. Stravinsky’s Ballets. New Haven: Yale University Press.
September 1, 2013
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