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  3. No. 98 (2014): Current Musicology

Current Musicology

No. 98 (2014)

Published: Sep 1, 2014

Articles

“Django’s Tiger”: From Jazz to Jazz Manouche
Sep 1, 2014

Benjamin Givan
PDF

Beat Hierarchy and Beat Patterns—From Aksak to Composite Meter
Sep 1, 2014

Aleksandra Vojcic
PDF

Noticing Musical Becomings: Deleuzian and Guattarian Approaches to Ethnographic Studies of Musicking
Sep 1, 2014

Pirkko Moisala, Taru Leppänen, Milla Tiainen, Hanna Väätäinen
PDF

Erik Satie’s Socrate (1918), Myths of Marsyas, and un style dépouillé
Sep 1, 2014

Samuel N. Dorf
PDF

Book Reviews

Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. New York: Cambridge University Press.
Sep 1, 2014

Bryan Parkhurst
PDF

Daniel Albright. 2014. Panaesthetics: On the Unity and Diversity of the Arts. New Haven and London: Yale University Press.
Sep 1, 2014

Matthew Ricketts
PDF

Helbig, Adriana. 2014. Hip Hop Ukraine: Music, Race, and African Migration. Bloomington, IN: Indiana University Press.
Sep 1, 2014

Kevin Holt
PDF

Davies, J.Q. 2014. Romantic Anatomies of Performance. Berkeley: University Of California Press.
Sep 1, 2014

J. Mackenzie Pierce
PDF

About the Journal

Current Musicology is a leading peer-reviewed journal for scholarly research in music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University's Department of Music. Current Musicology was the first journal in music to be edited and published by graduate students, which continues today after sixty years.

The journal is open access and published in digital form only since Issue 105.

Frequency: Semiannual

eISSN: 0011-3735

Co-Editors-in-Chief: Sasha Doster and Marco Donato Tomassi

Columbia University Libraries

Published in partnership with Columbia University Libraries.

535 West 114th St. New York, NY 10027

Distributed through Columbia University’s Academic Commons.

All content published from 2018 onward is subject to a Creative Commons "Attribution-NonCommercial-NoDerivates" 4.0 License.

ISSN: 0011-3735

Homepage image: Bain News Service, photographer. G.G. Barnard’s “Great God Pan” statue, Columbia College (close-up). George Grantham Bain Collection, Library of Congress Prints & Photographs Division. Glass negative, 8 × 10 in. No date recorded. LC-DIG-ggbain-01493. https://www.loc.gov/pictures/collection/ggbain/item/2014681488/

Public Knowledge Project