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  3. No. 104 (2019): Current Musicology

Current Musicology

No. 104 (2019)

Published: Apr 1, 2019

Literature Review

From Idea to Institution: The Development and Dissemination of the Orff-Schulwerk from Germany to the United States
Apr 1, 2019

Emily Spitz
PDF

Articles

Editor’s Note
Apr 1, 2019

Ian Sewell
PDF

“It’s Awfully Important to Listen”: Ella Jenkins and Musical Multiculturalism
Apr 1, 2019

Gayle Wald
PDF

Dialectics of Debate: Reflections on Three Pedagogical Scenes in Chinese Music History
Apr 1, 2019

Gavin S. K. Lee
PDF

Reflections on Teaching Music 17: Hip Hop
Apr 1, 2019

Asher Tobin Chodos
PDF

On Teaching the History of Nineteenth-Century Music
Apr 1, 2019

Walter Frisch
PDF

Berton’s Ludic Pedagogy and the Subdominant Otherwise: Tension and Compromise in the Early Paris Conservatoire Curriculum
Apr 1, 2019

Callum Blackmore
PDF

Brahms, Autodidacticism, and the Curious Case of the Gavotte
Apr 1, 2019

Martin Ennis
PDF

Book Reviews

Iverson, Jennifer. 2018. Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde. New York: Oxford University Press.
Apr 1, 2019

Ted Gordon
PDF

Coelho, Victor and Keith Polk. 2016. Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy. Cambridge: Cambridge University Press.
Apr 1, 2019

Jonathan Ligrani
PDF

About the Journal

Current Musicology is a leading peer-reviewed journal for scholarly research in music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University's Department of Music. Current Musicology was the first journal in music to be edited and published by graduate students, which continues today after sixty years.

The journal is open access and published in digital form only since Issue 105.

Frequency: Semiannual

eISSN: 0011-3735

Co-Editors-in-Chief: Sasha Doster and Marco Donato Tomassi

Columbia University Libraries

Published in partnership with Columbia University Libraries.

535 West 114th St. New York, NY 10027

Distributed through Columbia University’s Academic Commons.

All content published from 2018 onward is subject to a Creative Commons "Attribution-NonCommercial-NoDerivates" 4.0 License.

ISSN: 0011-3735

Homepage image: Bain News Service, photographer. G.G. Barnard’s “Great God Pan” statue, Columbia College (close-up). George Grantham Bain Collection, Library of Congress Prints & Photographs Division. Glass negative, 8 × 10 in. No date recorded. LC-DIG-ggbain-01493. https://www.loc.gov/pictures/collection/ggbain/item/2014681488/

Public Knowledge Project