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  3. No. 109/110 (2022): Current Musicology 2022

Current Musicology 2022

No. 109/110 (2022)

Published: Sep 6, 2023

Articles

Reverse Extensions and Multi-Layered Experiences of Harmony in Drake’s Harmonic Loops
Sep 6, 2023

Stephen Hudson

74-99

PDF

Laying Down Tracks

Mapping the Camilla Urso Concert Company on the American Lyceum Circuit, 1873-83

Sep 6, 2023

Maeve Nagel-Frazel

1-24

PDF

Emotional Storms, Passion and Melancholy when Symphonic Music is Legitimated as an Emotional Resource
Sep 6, 2023

Åsa Bergman

25-42

PDF

Valuing Whiteness: The Presumed Innocence of Musical Truth
Sep 6, 2023

Erin Johnson-Williams

43-73

PDF

About the Journal

Current Musicology is a leading peer-reviewed journal for scholarly research in music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University's Department of Music. Current Musicology was the first journal in music to be edited and published by graduate students, which continues today after sixty years.

The journal is open access and published in digital form only since Issue 105.

Frequency: Semiannual

eISSN: 0011-3735

Co-Editors-in-Chief: Sasha Doster and Marco Donato Tomassi

Columbia University Libraries

Published in partnership with Columbia University Libraries.

535 West 114th St. New York, NY 10027

Distributed through Columbia University’s Academic Commons.

All content published from 2018 onward is subject to a Creative Commons "Attribution-NonCommercial-NoDerivates" 4.0 License.

ISSN: 0011-3735

Homepage image: Bain News Service, photographer. G.G. Barnard’s “Great God Pan” statue, Columbia College (close-up). George Grantham Bain Collection, Library of Congress Prints & Photographs Division. Glass negative, 8 × 10 in. No date recorded. LC-DIG-ggbain-01493. https://www.loc.gov/pictures/collection/ggbain/item/2014681488/

Public Knowledge Project