No. 9 (1969): Current Musicology | Current Musicology

Current Musicology
No. 9 (1969)

Published: Sep 1, 1969

Table of Contents and Masthead
Nov 17, 2019

Current Musicology

1-5

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18th-Century Music and the Problems of its History
Nov 17, 2019

Gerald Abraham

49-51

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Musicology in German Universities
Nov 17, 2019

Friedrich Blume

52-64

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Il Teatro Alla Moda, or A Safe and Easy Method of Producing Baroque Operas According to Modern Practice
Nov 17, 2019

Kenneth Cooper

65-72

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Handel and Kaiser
Further Borrowings

Nov 17, 2019

Winton Dean

73-80

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Thoughts on Writing a Comprehensive History of 18th-Century Music
Nov 17, 2019

Vincent Duckles

81-83

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Paul Henry Lang
An Enlightened Critic of the French Enlightenment

Nov 17, 2019

Otis Fellows

84-87

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Some Desiderata and Goals for the Study of 18th-Century Italian Opera
Nov 17, 2019

Donald Jay Grout

88-91

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Approaching a History of 18th-Century Music
Nov 17, 2019

Daniel Heartz

92-95

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The Music of the 18th Century
A Retrospective View

Nov 17, 2019

Egon Kenton

96-104

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The Viennese Classical School
A Challenge to Musicology

Nov 17, 2019

Jens Peter Larsen

105-112

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The Mapping of Musical Classicism, a Little-known and Dangerous Period
Nov 17, 2019

Jan LaRue

113-116

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"Sonate, Que Me Veux-Tu?"
The Enigma of French Musical Aesthetics in the 18th Century

Nov 17, 2019

Maria Rika Maniates

117-140

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Artist and Teacher
Nov 17, 2019

Alfred Mann

141-146

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Giuseppe Sarti and Mozart's Quartet, K. 421
Nov 17, 2019

William J. Mitchell

147153

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Approaches to Musical Historiography of the 18th Century
Nov 17, 2019

Leonard G. Ratner

154-157

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Mozart and the Josephine Era
Some Socio-Economic Notes on Musical Change

Nov 17, 2019

Alexander L. Ringer

158-165

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Utrecht
Class of '52

Nov 17, 2019

Denis Stevens

166-168

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Aspects of the 18th Century
Nov 17, 2019

J. A. Westrup

169-173

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Zur Stellung Bachs im Weltbild der Goethezeit
Nov 17, 2019

Walter Wiora

174-178, 182

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Bach's Place in the World-view of the Goethe Era
Nov 17, 2019

Walter Wiora; Piero Weiss

178-182

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Handel and Leclair
Nov 17, 2019

Neal Zaslaw

183-189

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Finn Mathiassen - The Style of the Early Motet (An Investigation of the Old Corpus of the Montpellier Manuscript)
Nov 17, 2019

Theodore Karp

193-197

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Leon Crickmore-C.P.E. Bach: Six Harpsichord Concertos [Wq. 43i], Jane R. Steveris-The Keyboard Concertos of Carl Phillipp Emanuel Bach
Nov 17, 2019

Chester Fanning Smith

197-200

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Laurence David Berman- The Evolution of Tonal Thinking in the Works of Claude Debussy
Nov 17, 2019

Mark DeVoto

200-208

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Ernest H. Sanders-Medieval English Polyphony and its Significance for the Continent
Nov 17, 2019

J. E. Maddrell

209-214

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