No. 71-73 (2002): Current Musicology

No. 71-73 (2002)

Published April 1, 2002
Current Musicology

Articles

Mark Burford
Editor's Preface
February 23, 2001
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Travis A. Jackson
Recollections: Mark Tucker (1954-2000)
February 23, 2001
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Mark Tucker
Porgy and Miles
February 23, 2001
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Jeffrey Magee
“King Porter Stomp” and the Jazz Tradition
February 23, 2001
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Dan Skea
Rudy Van Gelder in Hackensack: Defining the Jazz Sound in the 1950s
February 23, 2001
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Jeffrey Taylor
Earl Hines and "Rosetta"
February 23, 2001
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George E. Lewis
Experimental Music in Black and White: The AACM in New York, 1970-1985
February 23, 2001
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Jeffrey S. McMillan
A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950s
February 23, 2001
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T. M. Scruggs
"Come on in North Side, you're just in time": Musical-Verbal Performance and the Negotiation of Ethnically Segregated Social Space
February 23, 2001
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David Chevan
Musical Literacy and Jazz Musicians in the 1910s and 1920s
February 23, 2001
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Ben Givan
Discontinuity in the Music of Django Reinhardt
February 23, 2001
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Keith Waters
Outside Forces: “Autumn Leaves” in the 1960s
February 23, 2001
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William R. Bauer
Scat Singing: A Timbral and Phonemic Analysis
February 23, 2001
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Matthew W. Butterfield
Music Analysis and the Social Life of Jazz Recordings
February 23, 2001
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Christopher Washburne
Latin Jazz: The Other Jazz
February 23, 2001
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Vijay Iyer
Being Home: Jazz Authority and the Politics of Place
February 23, 2001
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Viewpoints

Scott DeVeaux
Struggling with Jazz
February 23, 2001
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Sherrie Tucker
Big Ears: Listening for Gender in Jazz Studies
February 23, 2001
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Book Reviews

Paul Allen Anderson
Other Planes of There: Critical Notice of Graham Lock's Blutopia
February 23, 2001
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Evan Spring
Fan Fare: An Investigation of Recent Jazz Biographies
February 23, 2001
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Krin Gabbard
Review of Eric Porter. 2002. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press
February 23, 2001
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Kathy J. Ogren
Phil Pastras. Dead Man Blues: Jelly Roll Morton Way Out West. Berkeley: University of California Press, 2001. xx, 246 pp.
February 23, 2001
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Frank Tirro
Review of Alyn Shipton. 2001. A New History of Jazz. London and New York: Continuum
February 23, 2001
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Brian Priestley
Review of Rob van der Bliek, ed. 2001. The Thelonious Monk Reader. New York: Oxford University Press
February 23, 2001
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David Sager
Richard M. Sudhalter. Lost Chords: White Musicians and Their Contributions to Jazz, 1915-1945. New York: Oxford University Press, 1999. xxii, 890 pp.
February 23, 2001
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Jeffrey H. Jackson
Review of Uta G. Poiger. 2000. Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press
February 23, 2001
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Dale Wilson
Review of Andrew F. Jones. 2001. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, NC: Duke University Press
February 23, 2001
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Ian Condry
Review of E. Taylor Atkins. 2001. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press
February 23, 2001
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