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No. 71-73 (2002): Current Musicology
Current Musicology
No. 71-73 (2002)
Published:
Apr 1, 2002
Articles
Editor's Preface
Feb 23, 2001
Mark Burford
PDF
Recollections: Mark Tucker (1954-2000)
Feb 23, 2001
Travis A. Jackson
PDF
Porgy and Miles
Feb 23, 2001
Mark Tucker
PDF
“King Porter Stomp” and the Jazz Tradition
Feb 23, 2001
Jeffrey Magee
PDF
Rudy Van Gelder in Hackensack: Defining the Jazz Sound in the 1950s
Feb 23, 2001
Dan Skea
PDF
Earl Hines and "Rosetta"
Feb 23, 2001
Jeffrey Taylor
PDF
Experimental Music in Black and White: The AACM in New York, 1970-1985
Feb 23, 2001
George E. Lewis
PDF
A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950s
Feb 23, 2001
Jeffrey S. McMillan
PDF
"Come on in North Side, you're just in time": Musical-Verbal Performance and the Negotiation of Ethnically Segregated Social Space
Feb 23, 2001
T. M. Scruggs
PDF
Musical Literacy and Jazz Musicians in the 1910s and 1920s
Feb 23, 2001
David Chevan
PDF
Discontinuity in the Music of Django Reinhardt
Feb 23, 2001
Ben Givan
PDF
Outside Forces: “Autumn Leaves” in the 1960s
Feb 23, 2001
Keith Waters
PDF
Scat Singing: A Timbral and Phonemic Analysis
Feb 23, 2001
William R. Bauer
PDF
Music Analysis and the Social Life of Jazz Recordings
Feb 23, 2001
Matthew W. Butterfield
PDF
Latin Jazz: The Other Jazz
Feb 23, 2001
Christopher Washburne
PDF
Being Home: Jazz Authority and the Politics of Place
Feb 23, 2001
Vijay Iyer
PDF
Book Reviews
Other Planes of There: Critical Notice of Graham Lock's Blutopia
Feb 23, 2001
Paul Allen Anderson
PDF
Fan Fare: An Investigation of Recent Jazz Biographies
Feb 23, 2001
Evan Spring
PDF
Review of Eric Porter. 2002. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press
Feb 23, 2001
Krin Gabbard
PDF
Phil Pastras. Dead Man Blues: Jelly Roll Morton Way Out West. Berkeley: University of California Press, 2001. xx, 246 pp.
Feb 23, 2001
Kathy J. Ogren
PDF
Review of Alyn Shipton. 2001. A New History of Jazz. London and New York: Continuum
Feb 23, 2001
Frank Tirro
PDF
Review of Rob van der Bliek, ed. 2001. The Thelonious Monk Reader. New York: Oxford University Press
Feb 23, 2001
Brian Priestley
PDF
Richard M. Sudhalter. Lost Chords: White Musicians and Their Contributions to Jazz, 1915-1945. New York: Oxford University Press, 1999. xxii, 890 pp.
Feb 23, 2001
David Sager
PDF
Review of Uta G. Poiger. 2000. Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press
Feb 23, 2001
Jeffrey H. Jackson
PDF
Review of Andrew F. Jones. 2001. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, NC: Duke University Press
Feb 23, 2001
Dale Wilson
PDF
Review of E. Taylor Atkins. 2001. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press
Feb 23, 2001
Ian Condry
PDF
Viewpoints
Struggling with Jazz
Feb 23, 2001
Scott DeVeaux
PDF
Big Ears: Listening for Gender in Jazz Studies
Feb 23, 2001
Sherrie Tucker
PDF
