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  3. No. 81 (2006): Current Musicology

Current Musicology

No. 81 (2006)

Published: Apr 10, 2006

Articles

The Foundations of Mozart Scholarship
Apr 10, 2006

Thomas Irvine
PDF

A Context for Mozart's French Ariettes: The Wendling Family and Friedrich Schiller's Kabale und Liebe
Apr 10, 2006

Paul Corneilson
PDF

The Idea of Transfiguration in the Early German Reception of Mozart’s Requiem
Apr 10, 2006

Elizabeth Kramer
PDF

Da Ponte in New York, Mozart in New York
Apr 10, 2006

Otto Biba
PDF

Book Reviews

Review Essay: Lullaby for Broadway?
Apr 10, 2006

Walter Frisch
PDF

Review of Tim Brooks. 2004. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. Urbana and Chicago: University of Illinois Press
Apr 10, 2006

Sandra Jean Graham
PDF

Review of Robert Fink. 2005. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press
Apr 10, 2006

Rob Haskins
PDF

Review of Daniel Goldmark. 2005. Tunes for ‘Toons: Music and the Hollywood Cartoon. Berkeley and Los Angeles: University of California Press
Apr 10, 2006

Kate McQuiston
PDF

Review of David Monod. 2005. Settling Scores: German Music, Denazification, and the Americans, 1945-1953. Chapel Hill: University of North Carolina Press
Apr 10, 2006

David Tompkins
PDF

About the Journal

Current Musicology is a leading peer-reviewed journal for scholarly research in music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University's Department of Music. Current Musicology was the first journal in music to be edited and published by graduate students, which continues today after sixty years.

The journal is open access and published in digital form only since Issue 105.

Frequency: Semiannual

eISSN: 0011-3735

Co-Editors-in-Chief: Sasha Doster and Marco Donato Tomassi

Columbia University Libraries

Published in partnership with Columbia University Libraries.

535 West 114th St. New York, NY 10027

Distributed through Columbia University’s Academic Commons.

All content published from 2018 onward is subject to a Creative Commons "Attribution-NonCommercial-NoDerivates" 4.0 License.

ISSN: 0011-3735

Homepage image: Bain News Service, photographer. G.G. Barnard’s “Great God Pan” statue, Columbia College (close-up). George Grantham Bain Collection, Library of Congress Prints & Photographs Division. Glass negative, 8 × 10 in. No date recorded. LC-DIG-ggbain-01493. https://www.loc.gov/pictures/collection/ggbain/item/2014681488/

Public Knowledge Project