No. 99/100 (2017): Current Musicology

No. 99/100 (2017)

Published April 1, 2017
Current Musicology

Special Issue on Black Sound Studies.

Articles

Didier Sylvain
Editor’s Note
April 1, 2017
Roshanak Kheshti
Toward A Rupture in the Sensus Communis: On Sound Studies and the Politics of Knowledge Production
April 1, 2017
Requires Subscription PDF
Michael Veal, Whitney Slaten
Ethnography, Sound Studies and the Black Atlantic
A Conversation Between Michael Veal and Whitney Slaten
April 1, 2017
Requires Subscription PDF
Shana L. Redmond
“Sing About Me”: Social Media Memorial and Inventory Form
April 1, 2017
Requires Subscription PDF
Gavin Steingo
African Afro-futurism: Allegories and Speculations
April 1, 2017
Requires Subscription PDF
Louis Chude-Sokei
Prognosticating Echoes: Race, Sound, and Naturalizing Technology
April 1, 2017
Requires Subscription PDF
Alex Blue V
“Hear What You Want”: Sonic Politics, Blackness, and Racism-Canceling Headphones
April 1, 2017
Requires Subscription PDF
Alexander G. Weheliye
Rhythms of Relation: Black Popular Music and Mobile Technologies
April 1, 2017
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Seth Mulliken
“Organic and Beautiful and Imperfect”: An Interview with Queer Pop Musician Be Steadwell
April 1, 2017
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Book Reviews

Tracy McMullen
Review of Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oak-land: University of California Press.
April 1, 2017
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Yves Citton
Review of Pierrepont, Alexandre. 2015. La Nuée. L’AACM: Un Jeu de Société Musicale. Marseille: Éditions Parenthèses.
April 1, 2017
Requires Subscription PDF
Lucie Vágnerová
Review of Eidsheim, Nina Sun. 2015. Sensing Sound: Singing and Lis-tening as Vibrational Practice.
April 1, 2017
Requires Subscription PDF