卷 2 编号 1 (2025): pre- / post-

Editor's Note

Iain Findlay-Walsh, Katelyn Rose King, Sepehr Pirasteh, Aysegül Begüm Kuntman, Jim Igor Kallenberg

Music, art and scholarship in the midst of temporal disorder

六月 13, 2025

PDF (English)

Articles

Leahley Alawi

Out of Baghdad!: Negotiating Loss, Longing, and Belonging in Aida Nadeem’s Work of the Iraqi Musical Avant-Garde

六月 13, 2025

PDF (English) HTML (English)

Ruari Paterson-Achenbach, Sophie Marie Niang

Dolly’s Laugh

a meditation on recorded excess

六月 13, 2025

PDF (English) HTML (With Audio) (English)

Iain Findlay-Walsh, Tristan Partridge

Vectors of Novelty: Co-Composing Selves in the Terminal Present

六月 13, 2025

HTML (With Audio) (English)

Louis-Michel Tougas

Polyrhythmic Cognition and Metric Spaces

A Compositional Framework

六月 13, 2025

PDF (English) HTML (With Audio) (English)

Soundcamp cooperative, Sasha Baraitser Smith , Mortimer Drew, Grant Smith

Being Heard

Thinking through Radio with Palestine (October 2023–)

六月 13, 2025

PDF (English) HTML (With Audio) (English)

Artwork

Gray

Spaceshifting

On Inhumanity as Shaping Resistance

六月 13, 2025

Website (English)

Victoria Keddie

Pshal P’shaw

Phonetic Dissonance, Linguistic Instability, and Cacophony as Communicative Form

六月 13, 2025

Interactive Sound Installation (English)

Jordan Deal

The Magical Slickness of the Myth of Black Oil, Movement Suite

六月 13, 2025

HTML (With Audio) (English)

Videos

Gauri Bahuguna

What Remains

六月 13, 2025

PDF (English) Video (English)

Poetry

Winnie W. C. Lai

“From Chaos to Calm”

Schizophrenic Listening and Hong Kong’s New Infrastructural Acoustic

六月 13, 2025

HTML with Video (English)