No. 74 (2002): Current Musicology
Current Musicology

Book Reviews

Lydia Goehr
Review of Peter Kivy. 2001. New Essays on Musical Understanding. Oxford University Press; and Lawrence Kramer. 2002. Musical Meaning: Toward a Critical History. Berkeley: University of California Press
September 29, 2002
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Albin J. III Zak
Review of Timothy D. Taylor. 2001. Strange Sounds: Music, Technology, and Culture. New York: Routledge
September 29, 2002
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Richard Kramer
Review of David Ferris. 2000. Schumann’s Eichendorff “Liederkreis” and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press
September 29, 2002
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Lloyd Whitesell
Review of Philip Rupprecht. 2001. Britten’s Musical Language. Cambridge: Cambridge University Press
September 29, 2002
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Samuel Araujo
Charles Perrone and Cristopher Dunn, eds .. Brazilian Popular Music and Globalization. Gainesville: University Press of Florida, 2001. xii, 288 pp.
September 29, 2002
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Ruth Longobardi
Review of Daniel Albright. 2000. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago: University of Chicago Press
September 29, 2002
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Richard Will
Review of Simon P. Keefe. 2001. Mozart’s Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. Woodbridge: The Boydell Press
September 29, 2002
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John Hajdu Heyer
Review of John S. Powell. 2000. Music and Theatre in France, 1600-1680. Oxford: Oxford University Press
September 29, 2002
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Sarah Hibberd
Review of Marian Smith. 2001. Ballet and Opera in the Age of “Giselle.” Princeton: Princeton University Press
September 29, 2002
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Julian Rushton
Review of David Charlton. 2000. French Opera 1730-1830: Meaning and Media. Aldershot: Ashgate
September 29, 2002
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Mary Jean Speare
Review of Hervé Lacombe. 2001. The Keys to French Opera in the Nineteenth Century. Translated by Edward Schneider. Berkeley: University of California Press
September 29, 2002
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